Third-wave feminism is an iteration of the feminist movement that began in the early 1990s United States and continued until the fourth wave began around 2012. Born in the 1960s and 1970s as members of Generation X, and grounded in the civil-rights advances of the second wave, third-wave feminists embraced individualism and diversity and sought to redefine what it meant to be a feminist. According to feminist scholar Elizabeth Evans, "[t]he confusion surrounding what constitutes third-wave feminism is in some respects its defining feature."
The third wave is traced to the emergence of the Riot grrrl feminist punk subculture in Olympia, Washington, in the early 1990s, and to Anita Hill's televised testimony in 1991--to an all-male, all-white Senate Judiciary Committee--that Clarence Thomas, nominated for the Supreme Court of the United States, had sexually harassed her. The term third wave is credited to Rebecca Walker, who responded to Thomas's appointment to the Supreme Court with an article in Ms. magazine, "Becoming the Third Wave" (1992). She wrote:
So I write this as a plea to all women, especially women of my generation: Let Thomas' confirmation serve to remind you, as it did me, that the fight is far from over. Let this dismissal of a woman's experience move you to anger. Turn that outrage into political power. Do not vote for them unless they work for us. Do not have sex with them, do not break bread with them, do not nurture them if they don't prioritize our freedom to control our bodies and our lives. I am not a post-feminism feminist. I am the Third Wave.
Walker sought to establish that third-wave feminism was not just a reaction, but a movement in itself, because the feminist cause had more work ahead. The term intersectionality--to describe the idea that women experience "layers of oppression" caused, for example, by gender, race and class--had been introduced by Kimberlé Williams Crenshaw in 1989, and it was during the third wave that the concept flourished. As feminists came online in the late 1990s and early 2000s and reached a global audience with blogs and e-zines, they broadened their goals, focusing on abolishing gender-role stereotypes and expanding feminism to include women with diverse racial and cultural identities.
The third wave saw the emergence of new feminist currents and theories, such as intersectionality, womanism (within black feminism), sex positivity, vegetarian ecofeminism, transfeminism, and postmodern feminism.
Video Third-wave feminism
History
The rights and programs gained by feminists of the second wave served as a foundation for the third wave. The gains included Title IX (equal access to education); public discussion about the abuse and rape of women; access to contraception and other reproductive services (including the legalization of abortion); the creation and enforcement of sexual-harassment policies for women in the workplace; the creation of domestic-abuse shelters for women and children; child-care services; educational funding for young women; and women's studies programs.
Feminist leaders rooted in the second wave such as Gloria Anzaldúa, bell hooks, Cherríe Moraga, Audre Lorde, Maxine Hong Kingston, and other feminists of color, sought to negotiate a space within feminist thought for consideration of race. Cherríe Moraga and Gloria E. Anzaldúa had published the anthology This Bridge Called My Back (1981), which, along with All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave (1982), edited by Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith, argued that second-wave feminism had focused primarily on the problems of white women. The emphasis on the intersection between race and gender became increasingly prominent.
In the interlude of the late 1970s and early 1980s, the feminist sex wars arose as a reaction against the radical feminism of the second wave and its views on sexuality, therein countering with a concept of "sex-positivity" and heralding the third wave.
Maps Third-wave feminism
Early years
Riot grrrl
The emergence of riot grrrl, the feminist punk subculture, in the early 1990s in Olympia, Washington, marked the beginning of third-wave feminism. The triple "r" in grrrl was intended to reclaim the word girl for women. Alison Piepmeier writes that riot grrrl and Sarah Dyer's Action Girl Newsletter formulated "a style, rhetoric, and iconography for grrrl zines" that came to define third-wave feminism, and that focused on the viewpoint of adolescent girls. Based on hard-core punk rock, the movement created zines and art, talked about rape, patriarchy, sexuality, and female empowerment, started chapters, and supported and organized women in music. An undated Bikini Kill tour flier asked "What is Riot grrrl?":
BECAUSE in every form of media I see us/myself slapped, decapitated, laughed at, objectified, raped, trivialized, pushed, ignored, stereotyped, kicked, scorned, molested, silenced, invalidated, knifed, shot, choked, and killed. ... BECAUSE a safe space needs to be created for girls where we can open our eyes and reach out to each other without being threatened by this sexist society and our day to day bullshit. ... BECAUSE we girls want to create mediums that speak to US. We are tired of boy band after boy band, boy zine after boy zine, boy punk after boy punk after boy. BECAUSE I am tired of these things happening to me; I'm not a fuck toy. I'm not a punching bag. I'm not a joke.
Riot grrrl was grounded in the DIY philosophy of punk values, adopting an anti-corporate stance of self-sufficiency and self-reliance. Its emphasis on universal female identity and separatism often appeared more closely allied with second-wave feminism. Bands associated with the movement included Bratmobile, Excuse 17, Jack Off Jill, Free Kitten, Heavens to Betsy, Huggy Bear, L7, Fifth Column, and Team Dresch.
Anita Hill
In 1991 Anita Hill accused Clarence Thomas, an African-American judge who had been nominated to the United States Supreme Court, of sexual harassment. Thomas denied the accusations, calling them a "high-tech lynching". After extensive debate, the United States Senate voted 52-48 in favor of Thomas. In response, Ms. Magazine published an article by Rebecca Walker, entitled "Becoming the Third Wave", in which she stated: "I am not a post-feminism feminist. I am the third wave." Many had argued that Thomas should be acquitted because of his plans to create opportunities for people of color. When Walker asked her partner his opinion and he said the same thing, she asked: "When will progressive black men prioritize my rights and well-being?" She wanted racial equality but without dismissing women.
In 1992, dubbed the "Year of the Woman", four women enter the United States Senate to join the two already there. The following year another woman, Kay Bailey Hutchison, won a special election, bringing the number to seven. The 1990s saw the first female United States Attorney General and Secretary of State, as well as the second woman on the Supreme Court, Ruth Bader Ginsburg, and the first US First Lady, Hillary Clinton, to have had an independent political, legal and activist career.
Purpose
Arguably the biggest challenge to third-wave feminism was that the gains of second-wave feminism were taken for granted, and the importance of feminism not understood. Baumgardner and Richards (2000) wrote: "[F]or anyone born after the early 1960's, the presence of feminism in our lives is taken for granted. For our generation, feminism is like fluoride. We scarcely notice that we have it--it's simply in the water."
Essentially the claim was that gender equality had already been achieved, via the first two waves, and further attempts to push for women's rights were irrelevant and unnecessary, or perhaps even pushed the pendulum too far in women's favor. This issue manifested itself in the heated debates about whether affirmative action was creating gender equality or punishing white, middle-class males for the biological history that they had inherited. Third-wave feminism therefore focused on consciousness-raising--"one's ability to open their mind to the fact that male domination does affect the women of our generation, is what we need.
Third-wave feminists often engaged in "micro-politics", and challenged the second wave's paradigm as to what was good for women. Proponents of third-wave feminism said that it allowed women to define feminism for themselves. Describing third-wave feminism in Manifesta: Young Women, Feminism And The Future (2000), Jennifer Baumgardner and Amy Richards suggested that feminism could change with every generation and individual:
The fact that feminism is no longer limited to arenas where we expect to see it--NOW, Ms., women's studies, and redsuited congresswomen--perhaps means that young women today have really reaped what feminism has sown. Raised after Title IX and William Wants a Doll [sic], young women emerged from college or high school or two years of marriage or their first job and began challenging some of the received wisdom of the past ten or twenty years of feminism. We're not doing feminism the same way that the seventies feminists did it; being liberated doesn't mean copying what came before but finding one's own way--a way that is genuine to one's own generation.
Third-wave ideology focused on a more post-structuralist interpretation of gender and sexuality. Post-structuralist feminists saw binaries such as male-female as an artificial construct created to maintain the power of the dominant group. Joan W. Scott wrote in 1998 that "poststructuralists insist that words and texts have no fixed or intrinsic meanings, that there is no transparent or self-evident relationship between them and either ideas or things, no basic or ultimate correspondence between language and the world"
Relationship with second wave
Amy Richards defined the feminist culture for the third wave as "third wave because it's an expression of having grown up with feminism". Second-wave feminists grew up where the politics intertwined within the culture, such as "Kennedy, the Vietnam War, civil rights, and women's rights". In contrast, the third wave sprang from a culture of "punk-rock, hip-hop, 'zines, products, consumerism and the Internet". In an essay entitled "Generations, Academic Feminists in dialogue" Diane Elam wrote:
"This problem manifests itself when senior feminists insist that junior feminists be good daughters, defending the same kind of feminism their mothers advocated. Questions and criticisms are allowed, but only if they proceed from the approved brand of feminism. Daughters are not allowed to invent new ways of thinking and doing feminism for themselves; feminists' politics should take the same shape that it has always assumed."
Rebecca Walker, in To Be Real: Telling the Truth and Changing the Face of Feminism (1995), wrote about her fear of rejection by her mother (Alice Walker) and her godmother (Gloria Steinem) for challenging their views:
"Young Women feminists find themselves watching their speech and tone in their works so as not to upset their elder feminist mothers. There is a definite gap among feminists who consider themselves to be second-wave and those who would label themselves as third-wave. Although, the age criteria for second-wave feminists and third-wave feminists is murky, younger feminists definitely have a hard time proving themselves worthy as feminist scholars and activists."
Issues
Violence against women
Violence against women, including rape, domestic violence, and sexual harassment, became a central issue. Organizations such as V-Day formed with the goal of ending gender violence, and artistic expressions, such as The Vagina Monologues, generated awareness. Third-wave feminists wanted to transform traditional notions of sexuality and embrace "an exploration of women's feelings about sexuality that included vagina-centred topics as diverse as orgasm, birth, and rape".
Reproductive rights
One of third-wave feminism's primary goals was to demonstrate that access to contraception and abortion are women's reproductive rights. According to Baumgardner and Richards, "It is not feminism's goal to control any woman's fertility, only to free each woman to control her own." South Dakota's 2006 attempt to ban abortion in all cases, except when necessary to protect the mother's life, and the US Supreme Court's vote to uphold the partial birth abortion ban were viewed as restrictions on women's civil and reproductive rights. Restrictions on abortion in the US, which was mostly legalized by the 1973 Supreme Court decision in Roe v. Wade, were becoming more common in states around the country. These included mandatory waiting periods, parental-consent laws, and spousal-consent laws.
Reclaiming derogatory terms
English speakers continued to use words such as spinster, bitch, whore, and cunt to refer to women in derogatory ways. Inga Muscio wrote, "I posit that we're free to seize a word that was kidnapped and co-opted in a pain-filled, distant past, with a ransom that cost our grandmothers' freedom, children, traditions, pride and land." Taking back the word bitch was fueled by the single "All Women Are Bitches" (1994) by the all-woman band Fifth Column, and by the book Bitch: In Praise of Difficult Women (1999) by Elizabeth Wurtzel.
The utility of the reclamation strategy became a hot topic with the introduction of SlutWalks in 2011. The first took place in Toronto on 3 April that year in response to a Toronto police officer's remark that "women should avoid dressing like sluts in order not to be victimized." Additional SlutWalks sprang up internationally, including in Berlin, London, New York City, Seattle, and West Hollywood. Several feminist bloggers criticized the campaign; reclamation of the word slut, a violent word, was questioned.
Other issues
Third-wave feminism regarded race, social class, transgender rights, and sexual liberation as central issues. It also paid attention to workplace matters such as the glass ceiling, unfair maternity-leave policies, motherhood support for single mothers by means of welfare and child care, respect for working mothers, and the rights of mothers who decide to leave their careers to raise their children full-time.
Criticism
Lack of cohesion
One issue raised by critics was a lack of cohesion because of the absence of a single cause for third-wave feminism. The first wave fought for and gained the right for women to vote. The second wave fought for the right for women to have access to and equal opportunity in the workforce, as well as the end of legal sex discrimination. The third wave allegedly lacked a cohesive goal and was often seen as an extension of the second wave. Some argued that the third wave could be dubbed the "Second Wave, Part Two" when it came to the politics of feminism and that "only young feminist culture" was "truly third wave". One argument ran that the equation of third-wave feminism with individualism prevented the movement from growing and moving towards political goals. Kathleen P. Iannello wrote:
"The conceptual and real-world "trap" of choice feminism (between work and home) has led women to challenge each other rather than the patriarchy. Individualism conceived of as "choice" does not empower women; it silences them and prevents feminism from becoming a political movement and addressing the real issues of distribution of resources."
Objection to "wave construct"
Feminist scholars such as Shira Tarrant objected to the "wave construct" because it ignored important progress between the periods. Furthermore, if feminism is a global movement, she argued, the fact that the "first-, second-, and third waves time periods correspond most closely to American feminist developments" raises serious problems about how feminism fails to recognize the history of political issues around the world.
"Girly" feminism
Third-wave feminism was often associated, primarily by its critics, with the emergence of so-called "lipstick" or "girly" feminists and the rise of "raunch culture". This was because these new feminists advocated for "expressions of femininity and female sexuality as a challenge to objectification". Accordingly, this included the dismissal of any restriction, whether deemed patriarchal or feminist, to define or control how women or girls should dress, act, or generally express themselves. These emerging positions stood in stark contrast with the anti-pornography strains of feminism prevalent in the 1980s. Second-wave feminism viewed pornography as encouraging violence towards women. The new feminists posited that the ability to make autonomous choices about self-expression could be an empowering act of resistance, not simply internalized oppression.
Such views were critiqued because of the subjective nature of empowerment and autonomy. Scholars were unsure whether empowerment was best measured as an "internal feeling of power and agency" or as an external "measure of power and control". Moreover they critiqued an over-investment in "a model of free will and choice" in the marketplace of identities and ideas. Regardless, the "girly" feminists attempted to be open to all different selves while maintaining a dialogue about the meaning of identity and femininity in the contemporary world.
Third-wave feminists said that these viewpoints should not be limited by the label "girly" feminism or regarded as simply advocating for "raunch culture". Rather, they sought to be inclusive of the many diverse roles women fulfill. Gender scholars Linda Duits and Liesbet van Zoonen highlighted this inclusivity by looking at the politicization of women's clothing choices and how the "controversial sartorial choices of girls" and women are constituted in public discourse as "a locus of necessary regulation". Thus the "hijab" and the "belly shirt", as dress choices, were both identified as requiring regulation but for different reasons. Both caused controversy, while appearing to be opposing forms of self-expression. Through the lens of "girly" feminists, one can view both as symbolic of "political agency and resistance to objectification". The "hijab" could be seen as an act of resistance against Western ambivalence towards Islamic identity, and the "belly shirt" an act of resistance against patriarchal society's narrow views of female sexuality. Both were regarded as valid forms of self-expression.
Timeline
1990s
2000s
Notes
References
Further reading
External links
- interview with Rebecca Walker in Satya Magazine
- Interview with Jennifer Baumgardner and Amy Richards
Source of the article : Wikipedia
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